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Case study·Senior UX designer · first UX hire·Ownzones Media Network·2015–2017

The dashboard that replaced a mailroom

When I joined Ownzones in 2015, Paramount was still shipping feature films to distribution partners on physical hard drives via courier. We replaced that with a cloud dashboard.

RoleSenior UX designer · first UX hire · Ownzones Media Network (2015–2017)
ProductsOwnzones Connect · consumer VOD app across web, iOS, Android, Apple TV, Roku TV
ClientsParamount · Sony · Warner Bros · MGM · and additional post-production partners
AlsoEstablished internal UX process · mentored junior UX designers
Outcome
  • Ownzones Connect — cloud admin platform for Paramount, Sony, Warner Bros, MGM — replaced FedEx envelopes and HDDs with a browser dashboard
  • Consumer VOD app shipped on web, iOS, Android, Apple TV, Roku TV
  • Featured by Apple TV & Roku TV for three months in 2015 for its interaction design
  • Established the company’s internal UX process — used after I left

Context

In 2015, high-resolution video files were large enough, and internet infrastructure unreliable enough, that the dominant way major studios delivered content to partners was still physical: a hard drive, boxed, shipped by overnight courier, signed for on the other end. Every step of that pipeline had a human doing something software could do.

Ownzones was building the cloud-native replacement. I joined as the company’s first UX hire, establishing the design function while designing two products in parallel: Connect (the operator-facing admin platform used by studios and post-houses) and the consumer VOD app.

My role

On Connect, the work was synthesis: translate messy, half-offline studio workflows into a clean interface that made those workflows continuous and visible. The backend was the UX — deep time with the engineering team to understand the transcoding and delivery architecture, and sustained stakeholder conversations to surface what the physical process was actually doing.

Two decisions that mattered

1. Design the dashboard around the job, not around the system. The engineering architecture of a cloud transcoder is a tree of jobs, parameters, output profiles, and delivery endpoints. The mental model of a studio operator is simpler: I have a file, I need this partner to receive it in the right format by this deadline. The interface that shipped started from the operator’s job. Job view was default; system view one click away for engineers and power users.

BeforeFilms delivered on hard drives by courierMasterStudioHDDCopy + QCFedExCourierArrivalMailroomVerifyQC on receiptDeliverPartnerDays per delivery. Lost drives. No single place to see status.AfterOne browser-based dashboardOperator viewOne file · one destination · one deadlineStatus visible end-to-endSystem viewTranscoding jobs, parameters, endpointsOne click away for engineers and power usersOneclick
Fig. 1The operator’s job became the default view; the system’s architecture became an opt-in.

2. Earn the persuasion round trip. Iteration — calls, focus groups, workshops, wireframes, rework — was the baseline I held the team to, and it didn’t come naturally to waterfall-trained studios or to engineering focused on transcoder performance. The persuasion happened one feature at a time; the quality of what shipped was the argument. That discipline — defending iteration to senior, time-pressured stakeholders without losing momentum — is the single habit I carry into every complex B2B project since.

What shipped

What I take from it

Operator tools that replace physical processes have a specific honesty: you can point at the old process, count its friction, and design against the count. The best operator UX is frequently not in the features you add but in the steps you remove.